Hernan Diaz turns wealth, marriage, and reputation into a set of competing mirrors, each narrative revising the last and refusing to leave the truth in one place for long. Set against the gleam and machinery of early twentieth-century finance, the novel asks who gets to author a life once money begins arranging the record. Elegant, sly, and brilliantly structured, it is as interested in power over story as it is in power over capital.
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